Way too much time is spent on the set-up featuring a lot of stale conversations between wooden characters and comic sidelights that are silly and uninspired.
The film, which was shot entirely on-location in the Philippines, is clearly an exploitation cheapie and on the sex side it does pretty well as there is an abundance of nudity particularly during the first 45 minute or so that should satisfy any voyeur since the models for the most part are pretty good looking. When the three groups meet it becomes a wild ride of sex and violence. After several days at sea they come upon an island that is the home to some ghosts of famous martial artists as well as a female slavery ring run by a group of monks. During their ride the boat catches fire and they are forced to abandon it and get into a raft. The title sequence created by Saul Bass that is used to open the film is diverting and I wished it had been extended.Īvailable: DVD, Blu-ray, Amazon Instant VideoĤ-Word Review: Ghosts of martial artists.Ī group of martial arts students board a boat owned by Hazel (Hope Holiday) and piloted by Harry (Cameron Mitchell). Otherwise it’s as fresh, original and timely as it was when it first came out and ripe to be rediscovered by the right audience. Smith song played over the closing credits. Some of the music used doesn’t work with the scenes either including the O.C. The only real negative is the ending that is too serious and somber and deflates the energy from the film’s otherwise snarky tone. Burgess Meredith has an outrageous moment where he is seen nude while attending a posh party and only his genitals are covered by a book hung from a belt that he is wearing. The scene where Cannon is undressing him for some sex and he tries desperately to distract her while he takes off a corset that he is wearing underneath is frickin’ hilarious. James Coco is great in support and I was genuinely shocked that it didn’t get him nominated for best supporting actor. The scene showing her naked in a snapshot is actually that of another nude model with Cannon’s face cropped on it. Apparently Preminger had her in tears already on the first day and she has in subsequent interviews called him a ‘horrible man’. Some of the best bits are Jennifer’s discussions with Richard’s doctors who seem reluctant to take responsibility for their medical blundering as well as Jennifer’s awkward sexual encounter with her friend Cal (Ken Howard) when he is unable to ‘rise to the occasion’.Īlthough she has a face that can show pain and sadness well Cannon may not have been the best choice and some other actresses would’ve been more interesting in the part.
The result is endlessly witty dialogue and some near brilliant conversational exchanges between the characters. The film is based on the Lois Gould novel of the same name and while that book had a much more serious tone the movie gives the material more of a satirical spin much like Diary of a Mad Housewife, which Preminger had scriptwriter Elaine May (who gets credited as Ester Dale) watch before writing this one.
The fractured narrative that deals heavily with flashback sequences is also nicely handled though the scenes showing a middle-aged Cannon trying to look like she is an adolescent while wearing pigtails looks tacky and should’ve been scrapped. I loved the way the camera spins around in a circle during a scene inside a New York art museum as well as some breathtaking shots of the New York skyline while on top of Jennifer’s and Richard’s condominium. It also shows that despite his renowned cantankerous nature behind-the-scenes he was still a gifted director who managed to span five decades with movies that had vastly different styles and themes and he deserves to be labeled a filmmaking legend. It has the same irreverence and satire as that one, but it is much more disciplined and sophisticated and makes its point without going overboard. This movie also proves to be a giant improvement from the awful Skidoo that he did just three years before where he tried unsuccessfully to get with the ‘hip generation’, but failed miserably. This film can be considered Otto Preminger’s swan song as the two movies he made after this weren’t worth watching. While going through some of his personal belongings she comes upon his little black book that lists all sorts of sexual conquests he has had with her friends, which first leads the devastated Julie into considering suicide, but then ultimately into revenge. Her life seems fulfilled and happy until Richard goes into the hospital for routine surgery, which has unexpected complications that sends him into a coma. Julie (Dyan Cannon) is a well-off New York Housewife living in a swanky Manhattan apartment with her husband Richard (Laurence Luckinbill) who is the successful editor of a New York fashion magazine.
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